扎克

by zakè

supported by
The gaye device
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The gaye device A beautiful album of stillness and calm.
Devin Underwood (Specta Ciera/Devroka)
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Devin Underwood (Specta Ciera/Devroka) Totally blown away as to how amazing this release is. Extremely deep & beautiful production.
Jeff Haight
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Jeff Haight Beautiful atmosphere envelopes your headphones as each track effortlessly floats you away. Extremely meditative and peaceful, highly recommended for relaxing with headphones before sleep. Favorite track: Kasita.
Justin Mank
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Justin Mank Soothing and mesmerizing. Favorite track: Minaret.
lauvermusic
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lauvermusic I picture myself waking up from my camping spot on top of a mountain overlooking the vast clouds below me.
akimbo_y
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JZ
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Ken73
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Joe Rickard
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RidgeCityGord
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whateverett
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Adam Aronson
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micchelli
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Klaus
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dj-dave-g
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Teye
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zakè
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Bryn Fazakerley
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Signalstoerung
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Alfonso Philippe
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johnpenola
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williwaw
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AƎTHER
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Nathan Chandler
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ku no maki
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Levi McConnell
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NAOYA ISHIGAKI
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Elaine
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23dadaman
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HumanWell
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Jacek Kr
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Bill Brasky
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skazophrene
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Warren Jacobs
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Kocham Ziemnaki
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Andrew Emery
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globe60
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SaturaStramoine
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Snake Chef
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bpm0
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Ben
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Ultra Mega Moo
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NamorTheSubmariner
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Irving Beano
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hangruan
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Torben Ulrik Sørensen
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eyespark
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jamespcross
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aaron cripps
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Iain
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Dom J
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Jared Lanning
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Jan Andre Lian
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joseph_penola
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Tyler Stoker
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Paul O'Farrell
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E S A
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Eiko
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Revrat
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Nicolas Couture-Grenier
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Kieran
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jonnpenney365
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CMShroud
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Matthew Mercer
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1.
Radiance 05:33
2.
Night Shineth as the Day 05:28
3.
Kasita 07:30
4.
Minaret 18:58

about

Past Inside the Present is pleased to present zakè’s debut self-titled. zakè’s arrangements bring forth an atmosphere of slow moving cascades that are quiet and delicate; gracefully drifting from one movement to the next. These meditative, subtle arrangements intentionally set out to provoke an affinity for self-awareness and reflection.

—

“The debut self-titled zakè comes in a limited edition of only one hundred tapes. These four tracks are separated into vignettes, running about forty minutes and contain evocative drone work, from the faint abyss to luminous, jettisoning abandon. Radiance purrs of low-fi tranquility that skims the thin layered surface, with a warm base. Night Shineth as the Day collects some outdoor field recordings, bird sing sweetly paired with a sinewy mid-tonal synth alternating between a lackadaisical afternoon and hazy daydreaming.

Kasita comes rather quietly, and a bit more ventilation running through it, more sublimated than the previous. The lows are somewhat distorted with a bit of transitional onomatopoeia as it navigates onward. If this were the results of an exculpatory mission, this would be the last leg home, with its last few minutes vanishing into silence. That is a lot of breathing room for the closer, Minaret. The silence is quite piercing, but doesn’t last all that long as from this perspective the field widens subliminally slowly, steady and eventually takes over akin to a wall of sound. As this singular work runs for twenty minutes, the first seven or eight climb to a radiant peak of layered drone and pitch, exposed harmony and some casual strumming, keeping that momentum for a good 5-6 minutes. It’s a rush of fresh open air cadences, just overlapping in the most organic way, fading out smoothly over the final moments.”

-Toneshift

credits

released February 1, 2019

Written, recorded and produced by zakè
Mastered at Schwebung Mastering (Germany) by Stephan Mathieu
Layout, design, and assemblage by zakè

--

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Past Inside the Present Indianapolis, Indiana

Past Inside the Present (PITP) is an American ambient label with a focus on offering up some of the very best ambient, ethereal, soundscape, and minimal music by prominent ambient artists from across the globe.

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